HAS MOVED
OUR FANTASTIC NEW PURPOSE BUILT STUDIOS ARE NOW LOCATED ON THE BEAUTIFUL JURASSIC COAST IN BRIDPORT, DORSET.
Hi, I’m Niall. I’m a music fanatic with over 40 years of experience producing, playing, and recording. In November 2023, relocated from Surrey back to my roots in the West Country.
All the knowledge and experience earned over the last two decades at Cobham Sound have been re-invested in our fantastic new facilities in Bridport, Dorset and now we are very proud to present our new home - Lyme Bay Sound.
Located only a five minute walk from Bridport town centre, our new purpose-built studios offer both facilities for recording, but also rehearsal space with the very best equipment provided.
We also have residential facilities with a self-contained apartment available for clients.
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Recording with great gear yields great results. I’ve spent years honing my collection to ensure the best possible sound for each artist. Neve, Neumann, UAD, Toft and many more.
I like to retain the warmth of analogue whilst harnessing the flexibility of digital.
Rehearsals also need the best gear. Lyme Bay Sound has been purpose-built to guarantee loads of vocal headroom, all in an expertly tuned acoustic environment.
Our rehearsal space boasts the very best of music technology; Shure Beta mics , DW Collector’s drum kit, Ludwig Snares, boutique valve amps from Fender, Marshall and Cornford, an Ashdown bass rig and up to 8 Mackie SRM350 pa monitors.
The live room can be used for lock-in rehearsals (with a residential option in our self-contained apartment), day or evening sessions, and even ad-hoc drum practice.
We are available for consultation if you wish to check out the space ahead of booking. The studio works for all genres, with space for up to eight musicians (at a squeeze!)
Rates are remarkably good value. Drop us a line to check availability
EQUIPMENT
Microphones Including
Neumann U47,
Peluso U87,
AKG C414 Matched Pair,
AKG 1029B,
AKG D12,
Shure SM7B ,
Shure Beta 52a,
Shure Beta 58 x 8,
Shure SM58 x 10,
Shure SM57 x 8 ,
TOWNSEND SPHERE
Drums
DW Collectors Kit
Ludwig Acrolite snare,
Ludwig Brass Beauty snare
Pearl Masters Biscuit Snare
Zyldjian K Custom Dark 16 &17 Crashes
Sabian AAX Splash China and Ride
Sabian 13 &14” Soundedge Hi Hats
DW and Pearl Hardware.
Rehearsal Cymbals provided - good quality Paiste, Sabian etc
Amps
Fender Hotrod Deville,
Cornford 50,
Fender Princeton,
Marshall JTM45,
Roland Jazz Chorus,
Ashdown 500 bass rig, with Genz Benz 2x10 cab,
AER COMPACT 60,
KEMPER PROFILER With over 200 amp profiles
Guitars & Basses
Fender thinline telecaster USA
Fender Custom shop Stratocaster
Gibson 335
Gibson Les Paul Jnr DC
Deusenberg TV
Guild D40,
Avalon (Lowden)
Baby Taylor Nashville tuning
Takemine 12 String
Fender P Bass
Yamaha Fretless
Epiphone Mandolin
Foster PRS Midi controller
Digital
Mac Pro, running Logic X,
UAD Apollo 16 x2 .
Over 100 UAD Plug Ins ,
WAVES,
Native Instruments Komplete,
Isotope RX
Plus many more
Mixing Console/ Outboard/Analogue
Toft ATB 24 ( Trident) ,
Neve 1073 preamps,
Joe Meek Compressers
ADAM Monitors,
Lexicon Delay,
Roland Stage Piano,
Roland Juno Synth,
MicroKorg
OUR GEAR
TESTIMONIALS
It all begins with an idea ….
So, what can I say about my experience working with Niall. Obvious descriptions spring to mind: Inspirational, professional, technically brilliant, patient, relaxing, fun, but these do not really do justice to the time we spent together or the songs we created.
For a studio ‘virgin’ the process started with song selection, where you identified the songs which you believed were worth developing. Demoing songs was a challenge, but not daunting, which says a great deal for the way he approached this task. His positive rejections’ encouraged me to go away and have another try, sometimes with startling results. Although I had ideas regarding the sound of certain songs, developing arrangements with Niall was enlightening and provided impetus to go further; there being seemingly no limits in our quest to attain that special sound.
I also learned a huge amount about the recording process and the benefits of brevity in lyric writing. Our sessions were always revelatory, often the result of the additional work he had put in to producing the tracks between sessions and also because sometimes I was encouraged to re-address the songs. Joy was experienced in playing with other musicians, all of whom were at ease from the moment they entered Niall’s domain. Consequently, their contributions coaxed by him were frequently awesome and rarely wasted.
When I started on my musical journey with Niall, I never imagined we would travel so far. We had many laughs and a few tears along the way but ultimately reached some mind-blowing musical destinations. I look forward to seeing Niall, Hillary and Wilf soon. When I do venture down, to the new studio please point me in the direction of a nearby bakery so that I can source that essential supply of sausage rolls! -Peter E
MUSIC PRODUCTION
The greatest pleasure is helping a dream to become reality. Great songwriters aren’t always great players. Sometimes all is required its a bit of guidance to help a nearly completed song get to where it should be. Other times more is required, but its always worth the effort !
The best thing to do about your musical ambitions is to talk about them. You may have a classic anthem locked away in your head, it may just needs a bit of help getting it out !
I had 10 great songs to record and I knew the best place to go - Niall’s studio. The band had recorded its first album there, with Niall's friend Mark Tucker producing. But with this follow-up being pop-rock, Niall was the man.
He was as friendly as ever when we discussed terms and drew up a plan. Although the songs were mostly arranged, there was plenty of scope for changes and room for Niall's input - which is what we wanted. He had to deal with eight musicians (three guitars, three vocals, drums, bass, two keyboards, cello, fiddle and mandolin) plus extra sounds - brass band, pan-pipes. The working relationship was great - Niall knew what he needed and coaxed it out of us over the 12 or so days we spent in the studio. Arrangements were adapted, stops added in, key changes introduced and all ideas treated seriously and accommodated. We ended up with a great album - "All The Notes There Is". If you want an example of what Niall can do, just go to Spotify and give it a listen. - Peter Whitehead (peterwhitehead.org)
SPOKEN WORD
Ads, Audiobooks ,Voiceover and more !
Jamie Redknapp recorded his autobiography “Me, Family and the Making of Footballer” with us. As well as ads for Sketchers Shoes, and VO for Sky’s A League of their Own.
Declan Rice interview for Four Four Two
Previous clients include BBC’s One Show & Sky’s A League of their Own, alongside audiobook recordings for Penguin Random House, Harper Collins & Heavy Entertainment. We have also recorded radio commercials and podcasts for media clients.
In short, we have done a lot! Get in touch with any project you have and we’re happy to chat to see how we can work with you. See some of our recent visitors below…
Joe Marler (and Wilf) recording his hilarious autobiography “Loosehead”
The late great Hairy Biker Dave Myers
Lee Mack filming for Soccer Aid with Hilary Niall and of course Wilf !
The Apartment
Our totally refurbished ground floor apartment offers flexible accommodation Contact us for details.
Enquiries